Oleskiewicz is a “master of [her] instrument…with an open, sweet sound….[she] is not afraid to venture into difficult territory.” by JOHNSON for American Record Guide Jul/Aug 2003; 64, 4; p. 123 (excerpt from a review of two CDs) Mary Oleskiewicz, … Continue reading
By Peter Holman (Feb. 2007) “[These are]…splendidly vigorous and inventive contrapuntal works […] found by Mary Oleskiewicz […] that deserve to be widely taken up by Baroque groups.[…] Anyone who thinks Quantz was a mediocre composer should listen to this … Continue reading
By VICTORIA HELBY for Early Music Review, Aug. 2006 Mary Oleskiewicz, flute; Elizabeth Field, violin; Daniel Elyar, viola; Stephanie Vial, cello; David Schulenberg, harpsichord / Hungaroton, HCD 32286 This is the first recording of these quartets, which were found … Continue reading
“Oleskiewicz’s engaging and informative introduction places the pieces in their chronological framework and evaluates the historical and musical features of each.” By NANCY HADDEN(Early Music, 2010) Excerpted from the full review entitled “Flute music from the Bach circle” Carl Philipp … Continue reading
“The recording is beautiful and impresses by the acoustical balance of the voices…the gentle flute sound…and an excellent intonation” By NIKOLAUS DELIUS for Tibia Magazine (Moeck Verlag) 1/2006 Mary Oleskiewicz, flute; Elizabeth Field, violin; Daniel Elyar, viola; Stephanie Vial, cello; … Continue reading